'Assembled
References' brings together the work of four artists who utilise a variety
of materials and making processes to create their work. All the work has
a sculptural quality to it. It invites the viewer to walk around, to scrutinise
and explore. |
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more information on each artist click
here to download the teacher notes for this exhibition -
'Word' only |
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Hannah
Greenaway
A fascination for the social and economic history of cloth
and costume underpins the sculpture of Hannah Greenaway. She
gathers inspiration from paintings, artifacts and museum collections,
exploring the status, wealth and origin of cloth as it has
evelved over time and across cultures. Her work is made out
of recycled plastics, which she knits into lengths of fabric
and then melts over prepared plaster or wire moulds. The resulting
life size figures or busts create a strong physical presence,
suggestive both of body armour and the quieter,gentle strength
of women.
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Sue
Platt
The
dark wooden frames of Sue Platt's assemblage works are heavy
with a sense of timelessness, creating the atmosphere of a
museum or sarcophagus. Their collections of curious, unfamiliar
and intriguing objects allude to museology and science, reminding
us of the profound human desire for knowledge. The disparate
fragments of paper and lace, locks of hair, latex and pieces
of x-ray have been reassembled to create new realities and
meanaings. Thet are mysteries, to be discovered and explored.
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Jill
Randall
Remembered,
imagined and collected objects from specific locations form
the material which Jill Randall creates her art works. Her
motivation is to connect objects with asense of place, enjoying
the associations and memories that objects can often trigger.
The works have the power to arouse feelings of loss, melancholy
or nostalgia. They are constructed from broken and discarded
fragments, or expensive or precious objects deliberatly spoiled.
Her assemblages explore ideas about value - the sense that
a relic is valuable, 'irrespective of monetary worth because
of where it has been and with whom it is associated, the 'cargo'
of its journey, be it real or metaphorical.'
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Ian
Walton
Ian
Walton's art is an intuative physical exploration of surface
texture. His works vary in scale, evoking the overwhelming
atmospheric effects of vast landscapes or preserving tiny
moments in time, enabling the viewer to contemplate the mystery
and experience of existence. His art has spirituality that
resonates with a sense of time passing, of human frailty.
In the process of connecting found fragments from nature with
infinite combinations of media, he creates a visual narrative
evoking incidents, places and memories.
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