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Art and Design Unit 7A (Year 7)

Self-image

In this unit, pupils explore their personal identity as a starting point. They create images that reflect their ideas of themselves, working from observation, memory and imagination. They develop skills using traditional materials and processes and have the opportunity to combine traditional and digital media. They learn about the ideas, methods and approaches used by other artists who have made images of themselves and/or portrayed others.

Examples of art, craft and design:

  • portrait paintings - large-scale and miniatures showing different visual qualities, eg work by Rembrandt, Soutine, Nolde, Magritte, Khalo, Blake, Boyce, Bhimji, Keegan
  • sculpted heads showing different tactile approaches, eg work by Rodin, Moore, Gabo, Brancusi, Epstein
  • photographs conveying ideas and feelings about identity

Web Links:

Mark Hardens Artchive

http://www.artchive.com/ftp_site.htm

Themes in German Expressionist Prints

http://www.moma.org/exhibitions/2002/brucke/index.html

Chaim Soutine

http://www.artcyclopedia.com/artists/soutine_chaim.html

Rembrandt

http://www.rembrandthuis.nl/content_index.php?new_taalkeuze=en

Henry Moore Foundation

http://www.henry-moore-fdn.co.uk/hmf/

Rodin

http://www.musee-rodin.fr

Naum Gabo 1890-1977

http://www.artcyclopedia.com/artists/gabo_naum.html


Art and design Unit 7B (Year 7)

What's in a building?

In this unit, pupils explore their ideas and feelings about buildings and their experiences of walking through spaces. They record interesting features, such as doorways, arches, windows, porches and courtyards. They evolve designs for sculpture based on their studies and produce a sculpture of a building in clay or paper. They look at the work of architects, designers and sculptors.

Examples of art, craft and design:

  • photographs and illustrations of different types of construction, eg tented structures, compounds, enclosures, pagodas, pare constructions such as Japanese Ken, Niche
  • photographs and illustrations of buildings used for different purposes, eg religious, civic, domestic architecture
  • architects' models, plans and elevations
  • examples of work by architects, eg Christopher Wren, Frank Lloyd Wright, Mackintosh, Palladio (use of harmony in the proportions of his ideal villa - Villa Rotonda and English copies such as Chiswick House)
  • examples of work by sculptors and related sketchbooks, eg Henry Moore, Brancusi, Lubna Chowdry

Web Links

Architecture.com

http://www.architecture.com/index.html

The Great Buildings Collection

http://www.greatbuildings.com/

Digital Imaging Project - Art Historical images of European and North American Architecture and sculpture.

http://www.bluffton.edu/~sullivanm/repeats/mycomments.html

Henry Moore Foundation

http://www.henry-moore-fdn.co.uk/hmf/

Brancusi

http://www.ocaiw.com/catalog/index.php?lang=en&catalog=scul&author=738&page=1

Mark Hardens Artchive

http://www.artchive.com/ftp_site.htm


Art and design Unit 7C (Year 7)

Recreating landscapes

In this unit, pupils explore landscape as the starting point for two- and three-dimensional work. They collect visual and other information by visiting a landscape and by studying the methods, approaches and intentions of artists and craftspeople who use the environment as inspiration. They manipulate the visual and tactile qualities of materials to convey mood and feeling about a landscape and construct textile-based work.

Examples of art, craft and design:

  • paintings, photographs and prints showing different interpretations of the natural environment, eg Bomberg, Turner, Constable, Ernst, Klimt, Lanyon, Long, Nash, Sutherland
  • books, postcards, photographs and references about individual artists' work, eg on CD-ROM and websites
  • contemporary textiles by craftspeople, eg Michael Brennan-Wood, Fran Reed, Penny Burnfield, Norman Sherfield
  • recorded sound related to landscapes

Web Links

The Imperial War Museum Picture Archive

http://vads.ahds.ac.uk/

Mark Hardens Artchive

http://www.artchive.com/ftp_site.htm

Contemporary Feltmaking

http://www.1-art-1.com/index.html


Art and design Unit 8A (Year 8)

Objects and viewpoints

In this unit, pupils explore familiar objects from different viewpoints as the starting point for their work. They develop their ideas by selecting and abstracting qualities of objects to use as the basis for a painting. They learn about the ideas and approaches of the cubists and their influences and make connections with other artists who worked from still life.

Examples of art, craft and design:

  • still-life paintings from different times and cultures including:
  • renaissance painting showing use of perspective
  • Dutch vanitas painting
  • work by Cezanne
  • cubist work, eg 'Still life with fish' (1910) by Braque; 'Guitar' (1920) by Picasso; 'The washstand' (1912) by Gris
  • African art, eg serpentine sculpture (Zimbabwe); funerary posts (Madagascar); coffin sculptures (Ghana); porcupine sculptures (Sierra Leone)

Web Links

Web Museum

http://www.southern.net/wm/paint/

Mark Hardens Artchive

http://www.artchive.com/ftp_site.htm

Arts of Africa

http://witcombe.sbc.edu/ARTHLinks3.html#Africa


Art and design Unit 8B (Year 8)

Animating art

In this unit, pupils explore the use of the moving image to communicate ideas about particular genres or styles of art. They analyse paintings, films, cartoons, illustrations, digital images, photographs and images from contemporary visual culture. They learn how to represent ideas and values using the moving image. They make connections between abstract expressionism, expressionism and pop art of the 1960s and contemporary moving images.

Examples of art, craft and design:

  • examples of work by a variety of artists, eg Kandinsky, Warhol, Lichtenstein, Pollock, Rothko, Hockney
  • film clips, eg by Len Lye (abstract work); Norman McClaren (pixillation techniques); Oskar Fischinger (colour, form and dynamics of music); Jan Svankmajer; Aardman animations
  • popular comic book imagery
  • storyboards

Web Links

Mark Hardens Artchive

http://www.artchive.com/ftp_site.htm

BBC Arts

http://www.bbc.co.uk/arts/art/

Aardman Animation

http://www.aardman.com

Wired - animations by contemporary artists

http://www.wired.com/animation

Anim8ted - an on-line animation resource

http://www.anim8ed.org.uk/


Art and design Unit 8C (Year 8)

Shared view

In this unit, pupils explore and use natural and other materials to construct a temporary, site-specific work, which represents a shared view of their locality. They work in groups to make a collective response. They analyse examples of work from different times and cultures where ideas, beliefs and values are shared and communicated through art, craft and design.

Examples of art, craft and design:

  • examples of Aboriginal art, eg rock engraving, ground painting, bark painting, sand drawing, decorated totem poles
  • examples of land, earth and environmental art, eg 'Pierced spiral' (1970) and 'Spiral jetty' (1970) by Smithson; 'Bracken knot' (1986) by Goldsworthy; 'Black dome' (1986) by Nash; 'Turf circles' (1988) by Long
  • photographs of earthworks, ancient burial mounds and landscapes altered by mining technology
  • examples of symbolism, eg in religious art, in the use of masquerade figures in African society and the contemporary sculpture of Sokari Douglas Camp.

Web Links

Picasso on The Web

http://www.artcyclopedia.com/artists/picasso_pablo.html

Andy Goldsworthy

http://www.sculpture.org.uk/artists/AndyGoldsworthy

Alexander Calder

http://www.calder.org

Arts of Africa Oceania and the Americas

http://www.metmuseum.org/collections/department.asp?dep=5

Aboriginal Art

http://aboriginalart.com.au/

African Colours - contemporary African art and artists

http://www.africancolours.net/


Art and design Unit 9A (Year 9)

Life events

In this unit, pupils explore ideas and feelings about an event in their own life as the starting point for image making. They analyse paintings, prints, photographs and digital images, including examples of photojournalism, to learn how visual qualities can be manipulated to evoke strong reactions and to represent ideas, beliefs and values. They make connections between eighteenth- and nineteenth-century paintings and contemporary visual culture.

Examples of art, craft and design:

  • photographs from newspapers, magazines and books, cartoons, caricatures, storyboards and comic strips
  • historical paintings showing dramatic personal, social or historic events, in particular large-scale paintings from the eighteenth and nineteenth centuries, eg 'The experiment on a bird in an air pump' (1768) by Wright; 'The Raft of the Medusa' (1819) by Gericault; 'The slave ship' (1840) by Turner; David's paintings relating to the French Revolution and Gilray and other English cartoonists' views of this
  • posters, official photographs and film clips relating to both world wars; images by war artists and depictions of war from other times and cultures, eg Diego Rivera and Mexican muralists; Jacob Lawrence, Toussaint L'Ouverture series on the Haitian slave rebellion

Web Links

Diego Rivera

http://www.diegorivera.com/

'The Raft of the Medusa' - Theodore Gericault

http://www.artchive.com/artchive/G/gericault/raft_of_the_medusa.jpg.html


Art and design Unit 9B (Year 9)

Change your style

In this unit, pupils explore contemporary design and the ways in which artists take ideas from the work of others and synthesise these into new creative forms. They develop their own ideas and design and make woven textiles, a ceramic form, a three-dimensional construction or body adornment. They investigate the influence of art from different cultures and traditions on fashion and design.

Examples of art, craft and design:

  • examples of decorative and applied arts in distinctive styles, eg art nouveau, Arts and Crafts, De Stijl, art deco
  • examples of the work of contemporary designer-makers, eg Eileen Hunter, Louise Slater, Joyce Scott
  • examples of sewn, engraved, dyed decoration, eg on fabrics, jewellery, clothing from Africa and India
  • examples of tattoo and body adornment from across the world

Web Links

Arts and Crafts Movement

http://www.burrows.com/found.html

The Museum for Textiles

http://www.museumfortextiles.on.ca/

Art Deco Architecture

http://www.geocities.com/SoHo/Studios/1925/


Art and design Unit 9C (Year 9)  

Personal places, public spaces

In this unit, pupils explore examples of public art in their local area. They research the different ways in which ideas, beliefs and values are represented and shared in their local area and in different times and cultures, including contemporary modern practice. They explore ways of representing their own ideas and then collaborate with others to make a mural or a three-dimensional form for a specific location.

Examples of art, craft and design:

  • examples of art in public areas in the locality, eg town hall, hospital, factories, health centre, leisure centre, shopping precinct, park or gardens
  • examples of art from different times and cultures, eg portraits, statues, sculpture, murals, architecture, memorials
  • examples of modernist and contemporary art, eg 'Table of silence' (1937) by Brancusi; 'Aspects of Negro life: from slavery through to reconstruction' (1937) by Aaron Douglas; 'St Just' (1953) by Lanyon; 'Royal Tide IV' (1960) by Nevelson; 'Shepherd's Bush, London' (1968) by Boyle and Hills; 'A factory, North London' (1972) by Freud; 'Brooklyn Bridge' (1982) by Hockney; 'Famous moon king' (1984-5) by Basquinet; 'House' (1993) by Whiteread; 'Yorkshire walls and millstones' (1996) by Ruthven; 'Landscape 511' (1998) by Virtue

Web Links

Mark Hardens Artchive

http://www.artchive.com/ftp_site.htm

Rachel Whiteread

http://www.artnet.com/artist/17815/Rachel_Whiteread.html

British Contemporary Sculpture

http://www.sculpture.org.uk

Rhapsodies in Black

http://www.iniva.org/harlem/home.html

Public Art Web Links

http://public-art.shu.ac.uk/weblinx.html

Brancusi

http://www.artchive.com/artchive/B/brancusi.html


Art and design Unit 10gen (Key stage 3)  

Visiting a museum, gallery or site

This unit provides a structure for a visit to a museum, gallery or site, or any visit outside school. The visit would be most effectively used at the start or in the middle of a unit of work, so that work back at school can be based on the information and experience acquired. If it is used at the end of a unit, it can round off work in an enjoyable and exciting way, but to be effective, pupils must be able to see it as the culmination of what they have been learning.

Where the unit fits in

The visit can be incorporated into any unit in the key stage 3 scheme of work. It may be that the museum, gallery or site can contribute in the longer term to the scheme of work and a partnership can be established with them. Pupils could go on to use the resources of museums, galleries or sites in other areas of learning, especially those involving some sort of enquiry. These resources could include those delivered over the internet.

Resources

For practical work, resources include:

  • materials for recording the visit, eg sketchbooks, notebooks, activity sheets with spaces for recording, cameras, digital cameras, hand-held audio recorders

For the visit pupils will need:

  • a plan of the museum, gallery or site
  • a publicity leaflet for the museum, gallery or site
  • an outline of the structure of the visit
  • resources for specific activities, eg postcards or photographs of objects on display or in the collection, briefing sheets for role plays, structured trails or worksheets
  • access to the museum, gallery or site website

For the museum visit teachers will need:

  • to make a preliminary visit to the museum, gallery or site to plan the work on the class visit, including, if possible, a training/briefing session with staff to clarify basic facts, eg the roles of staff involved, if there will be an opportunity to touch/handle objects, and to discuss what will be done in any direct teaching session
  • large version or overhead transparency (OHT) of museum, gallery or site map/plan
  • resource packs or guides
  • pictures of objects for classroom practice (these may or may not be used on the visit itself)
  • briefing sheet for helpers

Web Sites

Tate Modern

http://www.tate.org.uk/modern/default.htm


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